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Genre fiction, also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre. Genre fiction is generally distinguished from ''literary fiction''. Screenwriting teacher Robert McKee defines ''genre conventions'' as the "specific settings, roles, events, and values that define individual genres and their subgenres". These conventions, always fluid, are usually implicit, but sometimes are made into explicit requirements by publishers of fiction as a guide to authors seeking publication. There is no consensus as to exactly what the conventions of any genre are, or even what the genres themselves are; assigning of works to genres is to some extent arbitrary and subjective. Genre fiction is often controversially dismissed by literary critics as being pure escapism, clichéd, and of poor quality prose.〔 ==Genre and the marketing of fiction== In the publishing industry the term "category fiction" is often used as a synonym for genre fiction, with the categories serving as the familiar shelf headings within the fiction section of a bookstore, such as Western or mystery. The uncategorized section is known in the industry as "general fiction", but in fact many of the titles in this usually large section are often themselves genre novels that have been placed in the general section because sellers believe they will appeal, due to their high quality or other special characteristics, to a wider audience than merely the readers of that genre. Genre fiction has received some degree of legitimacy, as authors formerly known for their literary fiction have written novels under pseudonyms. Also, with the demise of the hardback book, distinctions between genre fiction and literary fiction may begin to blur, with appropriate changes in marketing. Though a production not promoted by secondary criticism it is popular literature that holds the largest market share. Romance fiction had an estimated $1.375 billion share in the US book market in 2007. Religion/inspirational literature followed with $819 million, science fiction/fantasy with $700 million, mystery with $650 million and then classic literary fiction with $466 million.〔See the page (Romance Literature Statistics: Overview ) (visited March 16, 2009) of ''(Romance Writers of America )'' homepage. The subpages offer further statistics for the years since 1998.〕 The most important subgenres, in this period, were according to ''Romance Writers of America'' data, given on the basis of numbers of releases: *Contemporary series romance: 26% *Contemporary romance: 22% *Historical romance: 16% *Paranormal romance: 12% *Romantic suspense: 7% *Inspirational romance: 7% *Romantic suspense (series): 5% *Other (chick-lit, erotic romance, women's fiction): 3% *Young adult romance: 3% 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「genre fiction」の詳細全文を読む スポンサード リンク
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